OpenZhenZhen AI 提示词画廊 · MiniMax H3 · video
威尼斯折叠城市送信之旅
Venice Folded City Letter Delivery Journey
威尼斯折叠城市送信之旅，使用同名原始提示词配对并提供中英文版本
提示词 / Prompt
中文提示词
[Image 1](image_1) 是唯一面部与身份参考。女主是二十岁出头的韩国年轻女性，五官结构与 @[Image 1](image_1) 完全一致，韩国自然肤质，不戴眼镜；留长粉彩粉发，穿1940年代青橙色羊毛大衣裙、白领，斜挎棕色皮包，灰色及膝袜、黑皮鞋，拿折叠黄色信封。每个镜头严格保持同一参考身份。 1940年代威尼斯日落黄金时刻，琥珀青色电影调色、变形宽银幕35mm胶片质感、浅景深、体积光、细胶片颗粒。盗梦空间式折叠建筑：城市向上卷曲倒悬如镜面天花板，世界折叠时女主仍受正常重力。镜头持续运动，无硬切。 0–3秒：沿大运河石岸横向跟拍，她穿青色大衣抓着黄信封跑过镜头。头顶倒悬街道上，戴圆顶礼帽的男人遛腊肠犬；红伞失重漂在两世界之间，鸽子穿过琥珀光。 3–6秒：背后跟进狭窄巷道，落叶随跑步旋起；尽头街道向天空剥起，建筑垂直堆成窗墙，脚步在石墙间回响。 6–9秒：镜头缓滚90度，巷墙成为脚下地面，她不受影响继续跑。继续宽幅环绕，她跑上悬空螺旋石阶，赤陶屋顶碎片像万花筒旋转。 9–12秒：极远剪影，她跨过宽运河上的拱形石桥，背对炽烈落日；镜像城市同时倒挂于桥上方和下方，倒悬平面上的孤独行人反向行走，鸟群慢动作穿过画面。 12–15秒：从两堵高墙间仰拍，天空是一道亮缝。她张臂跃过垂直裂隙，衣发飞扬、挎包摆动，镜头将她留在天空前，风声轰鸣。 15–18秒：手持推入拥挤的1940年代里亚托市场，摊贩堆苹果箱，楼间晾衣。她穿过失焦前景行人背向镜头跑，一颗苹果滚上鹅卵石。 18–21秒：镜头沿砖砌钟楼上仰，城市在四周卷折。女主在塔沿显得渺小，迎着太阳停顿后迈向屋顶，钟声响起。 21–24秒：玫瑰拱架围着屋顶花园，灰开衫老妇用铁壶浇艳丽花床；潟湖上的威尼斯与圣马可穹顶在落日中发光，倒悬城市仍在头顶。女主张臂沿石栏保持平衡，再跳上露台。 24–27秒：她递出黄信封，老妇转身放下水壶接过，两人温暖微笑，玫瑰花瓣向倒悬天空上飘。 27–30秒：镜头快速拉远升高，城市折叠旋转成俯瞰的球形卷曲运河街道；两人仍在露台，缓慢淡入暖光。
English prompt
[Image 1](image_1) is the face and identity reference. A young Korean woman in her early twenties with EXACTLY the face of @[Image 1](image_1) — same facial structure, same features, natural Korean skin, no glasses. Long pastel pink hair, wearing a 1940s teal-orange wool coat-dress with white collar, a brown leather satchel worn cross-body, grey knee socks, black leather shoes, holding a folded yellow envelope. Every shot of her matches @[Image 1](image_1). 1940s Venice at golden hour. Amber and teal cinematic grade, anamorphic 35mm film look, shallow depth of field, volumetric god rays, fine film grain. Inception-style folding architecture — the Venetian city curls upward and hangs inverted overhead like a mirrored ceiling. The woman always stays under normal gravity while the world folds around her. Continuous camera motion, no hard cuts. [TIMELINE PROMPT] 0–3s: Lateral tracking shot along a stone quay by the Grand Canal at sunset. The young woman @[Image 1](image_1) in a teal coat sprints past camera, clutching a yellow envelope. Above her the entire city hangs upside down, mirrored — a man in a bowler hat walks a dachshund across the inverted street. A red umbrella drifts weightlessly between the two worlds. Pigeons scatter through the amber light. 3–6s: Camera follows behind her into a narrow Venetian alley, dry leaves swirling in her wake. At the far end the street peels upward into the sky, buildings stacking vertically like a wall of windows. Her footsteps echo between the stone walls. 6–9s: The camera slowly rolls 90 degrees. The alley wall becomes the ground beneath her feet; she keeps running, unfazed. The roll continues into a wide orbit as she races up a floating spiral stone staircase suspended in mid-air, fragments of terracotta Venetian rooftops rotating around her like a kaleidoscope. 9–12s: Extreme wide silhouette. She runs across the top of an arched stone bridge over a wide canal against the blazing setting sun. The mirrored city hangs both above and below the arch. On the inverted plane, a lone pedestrian walks the opposite direction. Birds burst across the frame in slow motion. 12–15s: Low angle looking straight up between two towering building walls, the sky a thin bright strip. She leaps across the vertical chasm, arms spread wide, coat and hair flying, satchel swinging. Camera holds on her against the sky. Wind roars. 15–18s: Handheld push-in through a crowded 1940s Rialto market street — vendors stacking crates of apples, laundry strung overhead between the buildings. She weaves between blurred foreground shoppers, running away from camera. An apple rolls loose across the cobblestones. 18–21s: Camera tilts up a grand brick bell tower — a Venetian campanile — as the surrounding city folds and curls around it. The woman appears tiny on the tower ledge, pauses against the sun, then steps off toward the rooftops. Bells begin to ring. 21–24s: Rooftop terrace garden framed by a rose-covered arbor. An elderly woman in a grey cardigan waters a bed of vivid flowers with a tin can. Behind her, Venice and the domes of St Mark's Basilica glow at sunset over the lagoon while the inverted city hangs overhead. The young woman balances along the stone balustrade, arms out, then jumps down onto the terrace. 24–27s: She holds out the yellow envelope. The old woman turns, sets down the watering can, and takes it. Both smile warmly at each other. Rose petals drift upward past them, falling toward the inverted sky. 27–30s: Camera pulls back and rises fast. The whole city folds and rotates until it becomes a top-down aerial of Venice's canals and streets curling into a sphere. The two tiny figures remain on the terrace. Slow fade to warm light.
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