OpenZhenZhen AI 提示词画廊 · gpt-image-2.5 · image
唐风女子石桌白梅清晨告别图
Tang-Style Lady Bidding Farewell at a Stone Table with White Plum Blossoms at Dawn
连续四幕故事第 4 幕：同一位成年虚构东方女性在清晨庭院将白梅放在空石桌上，完成克制而释然的告别。
提示词 / Prompt
中文提示词
生成一张新的独立图片，严格为 941x1672 像素、9:16 竖幅；只生成单图，不要拼图、网格、长图、联系人表或多画面。使用上传的身份参考图保持同一位 26 岁明确成年的虚构东方女性及其视觉系统：柔和鹅蛋脸、细长丹凤眼、黑色长发半披半挽的低位发髻、银色簪子和小珍珠、月白与淡青碧色完整唐风大袖衫、青碧刺绣腰封、长裙与轻纱披帛；必须改变场景和动作。这是连续四幕故事的第 4 张，主题为古风仙侠美人图、温柔姐姐感、写实东方电影剧照，不是插画或海报排版。清晨薄雾刚散，她独自回到安静庭院，把一枝小小白梅放在空着的浅灰石桌上，像给一场没有发生的约会留下最后告别。画面只有这一位女性，没有其他人物。她站在石桌旁，身体微侧向桌面，左手刚松开花枝，右手收拢轻纱披帛，动作停在花枝落下后的瞬间；肩颈舒展、重心稳定、头部微低，视线落在石桌上的白梅，不看镜头；表情温柔、克制、含蓄失落但带一点释然，不哭泣，不过度悲情。保持同一套月白淡青碧唐风大袖衫、同一发型、银簪和小珍珠；衣料边缘有轻微露水感，但服装完整、端庄、不透明、不暴露。场景只保留空旷浅灰石桌、桌上一枝白梅、背景半开的木窗和少量湿润竹影，不要花海、复杂庭院或额外人物。采用大半身到膝上构图、平视略低机位，人物位于左侧，石桌和白梅位于右下方作为情绪落点；前景有一小片虚化叶影，中景为人物和石桌，背景浅景深虚化。清晨右侧柔和冷白天光穿过木窗，照亮她的脸侧、手指、白梅和银簪，暗部干净可读。整体低饱和月白、淡青、灰绿和极少暖米色，呈现真实皮肤、石材、花瓣和衣料纹理，像东方电影最后一帧安静而有余韵的清晨。无文字、水印、logo 或乱码。
English prompt
Generate one new independent image strictly at 941x1672 pixels in a 9:16 vertical aspect ratio; create only one image, with no collage, grid, long image, contact sheet, or multi-frame layout. Use the uploaded identity reference to maintain the same 26-year-old clearly adult fictional Oriental woman and visual system: soft oval face, slender phoenix eyes, long black hair partly draped and partly tied in a low bun, silver hairpin and small pearls, a complete moon-white and pale cyan-green Tang-style wide-sleeved robe, cyan-green embroidered waistband, long skirt, and light gauze shawl; the scene and action must change. This is image 4 of a continuous four-act story: an ancient-style Xianxia beauty image with a gentle older-sister mood, rendered as a realistic Oriental cinematic still, not an illustration or poster layout. Just after the morning mist dissipates, she returns alone to a quiet courtyard and places a small branch of white plum blossom on an empty light-gray stone table, like leaving a final farewell for a date that never happened. Only this one woman appears, with no other characters. She stands beside the stone table, body slightly turned toward the tabletop, left hand just released the flower branch, right hand gathering the light gauze shawl, frozen at the moment after the branch lands. Her shoulders and neck are relaxed, balance stable, head slightly lowered, gaze resting on the white plum branch rather than the camera; her expression is gentle, restrained, subtly disappointed but a little relieved, with no crying or melodrama. Keep the same moon-white and pale cyan-green Tang-style robe, hairstyle, silver hairpin, and small pearls. Add a slight dew feeling along the garment edges, while the clothing remains complete, dignified, opaque, and non-revealing. Retain only an empty light-gray stone table, one white plum branch on it, a half-open wooden window, and a few moist bamboo shadows; no flower sea, complex courtyard, or extra people. Use an upper-body-to-above-knees composition from eye level to slightly low angle, with the woman on the left and the table and white plum at lower right as the emotional focal point. Add a small patch of blurred leaf shadow in the foreground, keep the woman and table in the middle ground, and blur the background with shallow depth of field. Soft cool-white early-morning daylight enters from the right through the wooden window, illuminating her cheek, fingers, white plum, and silver hairpin while keeping shadows clean and readable. Use low-saturation moon white, pale cyan, gray-green, and very little warm beige, with realistic skin, stone, petal, and fabric texture, like the quiet lingering final frame of an Oriental film. No text, watermarks, logos, or gibberish.
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