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弦紙之間：東方纖維美學文化海報

Between Strings and Paper: Eastern Fiber Aesthetics Cultural Poster

A modern Eastern editorial poster combining handmade ivory paper, a broad abstract pigment field, generous active negative space, and a tiny adult artisan scene about guqin and paper craft.

弦紙之間：東方纖維美學文化海報 — AI image creation
弦紙之間：東方纖維美學文化海報

提示词 / Prompt

中文提示词

設計一張現代東方編輯美學文化海報，畫幅9:16 竖版。預設值：主題弦纸之间：古琴与纸艺；小尺寸主標題弦纸之间；抽象大色域青黛色弦纹与暖象牙白纸层交叠，裂隙处点出少量朱砂；結構方式裂隙连接与纤维放射；主色調低饱和青黛、暖象牙白与少量朱砂红；微型敘事場景一位成年匠人在修复古琴并整理纸本琴谱；人物動作用细线固定琴弦并以毛笔描补琴谱；文化器物古琴、毛笔、纸本琴谱、细线和少量工具；活動文案活动日期与地点未提供，不显示；不虚构活动信息。以手工紙纖維、大色域、主動留白和微型文化敘事為核心。背景使用溫潤乾淨的暖象牙白手工紙，帶細膩紙漿紋理和極淡天然纖維。保留45%–60%大面積留白，讓空白本身參與構圖；不要用山水、植物、建築或裝飾填滿。抽象大色域佔畫面約25%–40%，依裂隙连接与纤维放射和主題塑造成疊層紙面、長軸、薄紙紙漿、嵌套層或其他非具象大形，不要直接畫成普通寫實物件。色域具有長短纖維、紙漿顆粒、水彩或礦物顏料沉積、大尺度自然色差、輕微壓痕、自然毛邊和啞光表面。材質豐富但乾淨，不做髒污、黃斑、嚴重破損、隨機斑駁、強噪點或廉價復古效果。色彩數量克制、低飽和但色面完整有濃度；僅加一枚極小朱砂印記或暖色節點，佔比1%–2%。在大色域附近加入敘事完整的微型文化場景，佔畫面3%–5%：一位成年匠人在修复古琴并整理纸本琴谱；成年人物以古琴、毛笔、纸本琴谱、细线和少量工具實際進行用细线固定琴弦并以毛笔描补琴谱。將匠人身份綁定已配置參考ref-10a-v1。人物統一採用二維紙本淡彩風格：用克制線條和點概括五官，不刻畫真實皮膚紋理、毛孔、眼球高光或攝影式面部陰影。身體以輕微二維明暗表現基礎體積，服裝用完整低飽和啞光色塊和少量自然線性衣褶，腳下只留極淡接觸陰影。禁止攝影真人感、3D微縮模型、CGI體積、塑料皮膚、電影光影、強輪廓光、攝影景深和重投影。在微型場景與大色域之間建立一處清楚克制的尺度連接，可用琴弦、纖維、漆線、紙邊、工具軌跡或其他符合主題的細線。連線須有真實起點、連續走向和明確終點，不可漂浮、斷裂或成為無意義裝飾。將弦纸之间置於留白區，使用纖細端正的現代宋體／明朝體小字，作為第二視覺層級，不用巨大字體。標題上方可加極小英文活動類別，下方可加簡短中文副題。將活动日期与地点未提供，不显示；不虚构活动信息以更小字級克制排於留白邊緣；實際活動日期與地點未提供，因此不顯示也不虛構。整體閱讀順序：留白與大色域→結構→紙感→微型場景→工藝動作→標題與資訊。海報應遠看醒目，近看能讀到紙感、細節和文化故事。避免巨大標題、普通國風插畫、寫實人物、3D微縮模型、攝影背景、PPT網格、商業廣告感、髒舊紙張、隨機噪點、CGI、玻璃或鏡面材質、Logo、水印、編號和星芒裝飾。

English prompt

Create a modern Eastern editorial cultural-event poster in 9:16 竖版 format. Defaults: theme 弦纸之间：古琴与纸艺; small main title 弦纸之间; abstract large color field 青黛色弦纹与暖象牙白纸层交叠，裂隙处点出少量朱砂; structural method 裂隙连接与纤维放射; palette 低饱和青黛、暖象牙白与少量朱砂红; tiny narrative scene 一位成年匠人在修复古琴并整理纸本琴谱; action 用细线固定琴弦并以毛笔描补琴谱; objects 古琴、毛笔、纸本琴谱、细线和少量工具; event copy 活动日期与地点未提供，不显示；不虚构活动信息. Build the composition around handmade-paper fibers, a large color field, active negative space and a miniature cultural story. Use warm, clean ivory handmade paper with fine pulp texture and extremely subtle natural fibers. Preserve 45%–60% large-area white space; the empty paper is an active part of the composition, not an area to fill with landscape, plants, architecture, or decoration. Let the abstract field occupy about 25%–40%, shaped according to 裂隙连接与纤维放射 and the theme as layered paper, a long scroll, thin pulp sheets, nested layers, or another nonliteral abstract form rather than an ordinary realistic object. Give it long/short fibers, pulp particles, watercolor or mineral-pigment deposits, large-scale natural color variation, slight indentations, natural deckle edges and matte surface. Keep the material rich but clean: no dirt, yellow stains, severe damage, random mottling, strong noise or cheap retro effects. Use restrained low-saturation yet complete and concentrated color surfaces; add only one tiny cinnabar seal or warm accent node at 1%–2%. Near the field, include a complete miniature cultural scene occupying 3%–5%: 一位成年匠人在修复古琴并整理纸本琴谱, with the adult figure genuinely performing 用细线固定琴弦并以毛笔描补琴谱 using 古琴、毛笔、纸本琴谱、细线和少量工具. Bind the artisan identity to configured reference ref-10a-v1. Draw all people in a consistent two-dimensional paper-based light-color style: restrained lines and dots for faces, no realistic skin texture, pores, eye highlights or photographic facial shadows. Use slight 2D shading for basic body volume, complete low-saturation matte clothing blocks and a few natural linear folds; only a faint contact shadow beneath the feet. No photorealistic people, 3D miniature models, CGI volume, plastic skin, cinematic lighting, strong rim light, photographic depth of field or heavy cast shadows. Make one clear but restrained scale connection between the tiny scene and the large field, such as a string, fiber, lacquer line, paper edge, tool trace or another theme-appropriate fine line. The line must have a real start, continuous path and clear endpoint, never floating or broken decoration. Place 弦纸之间 in the negative space in small, slender modern Song/Ming-style Chinese type as the second visual level, not oversized typography. A tiny English event category may sit above it and a short Chinese subtitle below. Set 活动日期与地点未提供，不显示；不虚构活动信息 in small restrained type at the edge of the white space; since no real date or venue is supplied, show neither and invent no event facts. Reading order: negative space and large field → structure → paper texture → miniature scene → craft action → title/information. The final poster should attract attention at a distance and reward close viewing with paper texture, detail and cultural narrative. Avoid giant title, generic Chinese-style illustration, realistic figures, 3D miniature models, photographic background, PPT grid, commercial-ad appearance, dirty aged paper, random noise, CGI, glass/mirror materials, logo, watermark, numbering, or starburst ornaments.

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